Fidel Castro, Turma Da Gafieira, Cuarteto D'Aida, Djalma Ferreira e os Milionarios do Ritmo, Justi Barreto and El Gran Fellove
'50 Years Of Revolucion!'
Time for a little history…
The music on this album was borne during
troubled times. A country was at war with itself. Sides were being taken.
Conditions were poor and escape through the radio, hearing the sweet majestic
sounds of homegrown rhythmic Cuban outfits who were reinterpreting the music of
their neighbouring South American countries and the jazz sounds coming out of
the US was essential. The natural rhythm of the Cuban people would in turn
inspire others and travel back to the US where it would metamorphose into yet
another musical hybrid, creating a revolutionary sound that would draw people
back to its roots.
Despite and probably because of Fulgencio
Batista y Zaldívar this music has a unique edge to it, an uplifting groove, an
escape from the mundane and the ordinary.
Batista was an admirer of America and his
dominance in the country was completed with supported from the communists. No
mean trick in itself. He became President of Cuba in 1940 and was initially
seen as a popular leader who made many social reforms but, by 1952 he was
leading a military coup to run the country and generally seen as an
authoritarian dictator.
America withdrew their support and
eventually the communist connection also began to short circuit as they
recognised that the underground resistance of Fidel Castro, his brother Raul
and Mario Chanes de Armas, which had begun plotting against Batista as early as
1953, were growing in stature and popularity.
By 1957, the 26th Of July
Movement of Castro had swelled to 800 men with a second division led by Che
Guevara. A US TV crew followed their progress and in interviews with The New
York Times Castro was painted as a romantic figure fighting against an unjust
government. The momentum was theirs and an attempt to assassinate Batista was
made. So confident were they of success, they dispatched the student
anti-communist Revolutionary Directorate to take over the Havana radio station
to tell people of the revolution.
But the music never stopped. The Latin
grooves and rhythms of El Gran Fellove, Justi Barreto’s Batanga, the vocal
harmonies of Cuarteto D’Aida and the jazz-tinged dance sounds of Turma Da
Gafieira and Djalma Ferriera still continued to swing, their unique, hypnotic
sounds spiced with percussion kept the country oblivious to the siege at Havana
Radio, where the rebels suffered numerous losses after the assassination
failed.
Within 12 months, opposition to Batista was
such that even his own army turned against him during the battle at Santa
Clara, a provincial capital where Che Guevara and Camilo Cienfugos led the
attack. During fierce house to house fighting Batista realised the end was in
sight and fled to the Dominican Republic.
In January 1959, Castro arrived in Havana
to take power and unfold his democratic version of communism. The speech at the
start and end of this CD are from Castro’s inaugural speech on his arrival in
Havana, the original album included a booklet of propaganda that underlined the
movement’s undying belief that they would win.
During ’59 Castro and his advisors visited
the US but were refused an audience with President Eisenhower, which led to
Castro developing a relationship with the USSR and Nikita Khrushchev. In Cuba
the music stayed pure and isolated. The influences of America ceased, time
stopped. The emergent rock ‘n’ roll of the States didn’t infiltrate the country
and the Cuban rhythm stayed pure, the artists on this album staying a well kept
secret until many years later.
TRACKLISTING
1 La Declaration De HabanaFidel Castro
2 Jarro da SaudadeTurma
da GafieiraTurma
da Gafieira