15 different accounts of the infamous
murder ballad
Any song covered by Elvis, Mae West, Nick
Cave, Bob Dylan, Sinatra, Stevie Wonder and Gene Simmons from Kiss has got to
be a classic. ‘Frankie And Johnny’ is such a song. There are over 300 versions
of this true (ish) story of loverlorn murder that have been rolled out over the
past 100 years or so. The first came mere weeks after the original killing took
place in 1899, the lyrics and the half dozen films that have been made loosely
around the story have led to lawsuits, counter claims and even a restaurant
chain.
Indeed, there is a fantastic website put
together by Paul Slade of MOJO at www.planetslade.com/frankie-and-johnny1.html,
where the story of Frankie Baker and Allen Britt (the Johnny here) is
recounted, analysed and explored. Fact of the matter is, with the passage of
time, facts have been twisted, descriptions have been altered and, well,
Columbo would have a field day.
Frankie – a St Louis hooker who shot her
alleged pimp, Allen, after he’d been out with another woman and had come home
to threaten her (her side of the story) – was acquitted in the courts of self
defence. The Allen side of the tale, told to his mother who he’d staggered to
after being shot, was that she was the jealous lover who took umbrage when he
took up with an 18-year old prostitute called Alice Pryar – who, for the sake
of the song became Nelly Bly (but of course, not in every interpretation).
That the murder took place within two
blocks of where Staggerlee killed Billy Lions and became the subject of another
legendary murder ballad, made the occurrence and the song’s popularity even
more poignant.
Reading Paul Slade’s site I became
fascinated with the tale and began to dig around for versions that would
stretch the boundaries. Contained here are jazz, blues and country readings of
this famous event that blurred at the edges as the facts travelled across
country.
Frankie and Johnny were lovers – absolutely
for sure, but there’s dispute about where Frankie got the gun? How many times
she shot Johnny (or Albert or Allen). And, indeed, when she took the film
makers to court, she even disputed that it wasn’t a .44 but a .38 that she
plugged him with. Accuracy has a price.
The readings here have her in a silk kimono
or a gingham dress. Sightings were at least varied. And the musical
interpretation of the song’s melody line is completely adapted so that the
whole album sounds like a syncopated piece, an orchestration of poor behaviour
and its resultant outcome, rather than 15 people doing the same karaoke piece.
Lena Horne has a mellow film noir feel about
her story and somesympathy for
Frankie, Erroll Garner takes the melody on a fantastic journey as does Duke
Ellington on his elongated take. Blues, jazz, hillbilly and folk music are all
infused into the mix to make nigh on an hour of tawdry red top sleaze into a
glorious testament to a song that just keeps on asking questions.
Frankie Baker walked free from court and
spent years feuding with the perpetrators of the legendary tune. She died,
according to Slade’s site, aged 75, a befuddled anti-heroine who knew one thing
for sure – she shot Johnny once not three times - but reportedly very little
else. She did, indeed, shoot a man for doing her wrong. And you can’t argue
with that.
TRACKLISTING
1 Frankie And Johnny (Parts 1 and 2)5:15Lena
Horne
2 Frankie And Johnny Fantasy2:59Erroll
Garner
3 Frankie And Johnny4:06Louis
Armstrong
4 Frankie And Johnny 2:10Big
Bill Broonzy
5 Frankie And Johnny3:23Champion
Jack Dupree
6 Frankie And Albert 3:21Jewell
Long
7 Frankie And Johnny 2:44Fate
Marable's Society Syncopators
8 Frankie And Johnny3:16Benny
Goodman
9 Frankie And Johnny2:56Bunny
Berigan And Bunny Berigan And His Orchestra
10 Frankie Baker4:56Tommy
Jarrell, Oscar Jenkins And Fred Cockerham
11 Frankie And Johnnie2:53Jimmie
Rodgers
12 Frankie And Johnny3:10Ethel
Waters
13 Frankie And Johnny3:08King
Oliver
14 Frankie and Johnny9:25Duke
Ellington And His Orchestra
15 Frankie And Johnny 3:12Isham
Jones Orchestra
“Murder’s out of tune, And sweet revenge grows harsh.”